Debora Hirsch shows that she is well aware of the linguistic processes of the mass communication system and does not seem to be disturbed even when she extends these mechanisms not only to popular images, but also to the cultured and noble images of the history of art.

Hirsch must apply maximum effort both theoretically and formally. In the exhibition we see important figures, such as the "Duke of Montefeltro" or "Van Gogh" alongside those of Dick Tracy. Again, high and low culture are intermingled also on the narrative level. Iconography is reduced to the stylistic features of comics.